Anna Sedokova arranged a sex enlightenment for Pavel Volya

Celebrity guests have always been a headache for variety show producers, and recently the selection parameters have become insanely complicated. And if everything suddenly develops, then it’s a sin not to note. The other day, a similar occasion came up with the authors of “Show Will”.

Anna Sedokova happened to have a conditional twenty-year career, but the singer is called on the air, of course, not for the sake of talking about some albums and chart success. Although they also talked about music, but without a twinkle. The real fun for the late night entertainment TV show, of course, began with questions about how to pose for a good photo. Here Anna gave out a downright killer solo, the culmination of which was the hoisting of a glass of champagne on her fifth point. The fifth point took a very convincing position, the glass stood, everyone was delighted.

The triumph of the singer and her perfect body language were involuntarily emphasized by the trinity of football commentators who occupied the guest sofa after Anna. Apparently, they were so confident in their sense of humor that they joked about women’s football and, with their toothless sexism, immediately began to resemble chaste schoolchildren who clumsily try to portray macho. After this, Anna became a beauty in the square.

A star guest on the air is a serious test for both the presenter and the artist who wants to be featured in a popular format. They are expected to have an entertaining conversation in which it would be nice to show themselves to be people, on the one hand, not stupid, on the other, not serious in a good way. It must be admitted that Pavel, in his post-Gangtian impulses, in general, tries. He has mastered rudeness to the level of “professional”, and it remains only to learn how to make compliments and sometimes show goodwill.

In the case of Sedokova, there were some hints of both. At the very least, lying on the floor next to the pop diva, the presenter turned out to be very graceful. Greetings to his wife at this crucial moment also sounded good. However, the wife has nothing to worry about. Judging by the way Anna “floated” on the ocean of jokes from Volya, one could immediately understand that humor and show-offs are not exactly what the singer can impress in men. Anna’s interests are most likely more serious.

THE CHARM OF THE SECOND FRESHNESS

Our serials are obviously not being filmed in order to voluntarily review them. But summer is just the time when you can revise them by chance, due to the seasonal repetition. And who would have thought that pleasant surprises are possible here.

There are two so far. The first is “Casanova”, the second is “Silver Wolf”. It probably makes no sense to record both projects as masterpieces, but it makes no sense to deny that these series keep the idea of ​​on-air film screening afloat.

In the case of the “Silver Wolf”, of course, there is nostalgia for the old school. Igor Kostolevsky becomes for older people a living reminder of what acting can be. Recently, Igor Matveevich has not been removed very often, and, probably, this is also why his every appearance in the frame turns into a real holiday.

It can be assumed that the retired James Bond, played by the famous actor in The Silver Wolf, is not the most difficult character for Kostolevsky. But the role nevertheless turned out to be locomotive for the series. And from the joint scenes of Kostolevsky and Gordin (he reincarnated as a spy-villain), sparks simply sparkle.

Something similar happens in Casanova, where the hero of Anton Khabarov in each episode seduces and robs strong, wealthy and seemingly impregnable ladies of the era of developed socialism. There are no folk artists in the series, but almost every role turned out to be successful.

Especially happened with okmurennymi and robbed. Ekaterina Rednikova, Irina Pegova, Svetlana Antonova, Olesya Zheleznyak, they all played not the biggest roles in the series, but each of their episodes takes too much attention by the standards of our series. Svetlana Khodchenkova in the image of a gray mouse in ridiculous soviet glasses looks very unusual, but the role of a police psychologist here is worth the many beauties she played.

It is not customary to expect some unexpected breakthroughs from our series, but sometimes it happens. And there is a suspicion that the recipe for such success is not a secret behind seven seals. Human language in the dialogues, natural emotions and even a minimum, if not a complete absence, of great-power pathos. Everything seems simple, but it turns out that it is very difficult.