Singer Romanidi spoke about miraculous changes after clinical death

The star began to see prophetic dreams and feel people

The performer of the hit “Hawaiian guitar” Mila Romanidi is a frequent guest of social events. The other day, the star appeared at the birthday party of the fashionable singer Sandra Top, where she met with MK correspondents. Romanidi does not hide the fact that many difficult trials fell to her lot. At the dawn of her career, the singer experienced clinical death. The artist still remembers this moment with a shudder.

Before the concert, she went on stage to check the sound. She picked up a microphone and suddenly plunged into darkness.

– I was struck by a current discharge, – said Romanidi. – It turned out that the technicians did not check the microphone cord, there was a short circuit. The bare cord was connected to a metal fixture that was used to light the stage.

Many who survived clinical death say that at that moment they saw blooming gardens and communicated with angels. I didn’t see anything at that moment: I only remember that I was flying in a dark tunnel, and there was a bright light above. I strove for him. As I was later told, at that moment my musicians were giving me first aid. This is what saved me.

The star was restored within a few months. The doctors did not give any predictions: in the first two weeks they did not know how the heart would react.

“In fact, I learned to live again,” Mila says. “Those months in the hospital were the strongest test for me. I rethought my whole life. Learned to enjoy the little things that we do not pay attention to.

According to Romanidi, after clinical death, her life changed dramatically. She had superpowers.

“Before the tragedy that happened to me, I rarely had any dreams,” Romanidi admits. Now I see them regularly. Moreover, dreams are prophetic. They dream, as a rule, a few days before some situation happens in my life. This helps me a lot. If I see a dream, I understand what I need to prepare for. Peculiar signs.

And I also became very good at feeling people. There are many different characters in show business. I can see right through them all now. And I immediately understand with whom of them we are not on the way.

After the emergency, Romanidi was afraid for a long time to go on stage and pick up a microphone. It cost her a lot of effort to return to touring life.

“Only those closest to me knew about what happened to me,” says Mila. – Many colleagues asked me: “Mila, where have you disappeared to?” And I did not disappear, I learned to live again.

The poet Leonid Derbenev helped me a lot. Philip Kirkorov introduced us, and Leonid Petrovich, knowing about my situation, began to bombard me with work. He came up with something almost every day. And then our duets with Philip Kirkorov went, my “Hawaiian guitar” appeared. And my stage fright began to pass.