In Deauville, American cinema is displayed in worried mode
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REPORT – In a festival that gives pride of place to films depicting a tormented and neglected youth, we rush to the clearings.
Luckily there was the opening ceremony and his musical tribute to the late star of greaseOlivia Newton John to stock up on gaiety and frenzy. Populated by children in great precariousness and left behind by absent or suffering adults, the 48e edition of the Deauville American Film Festival offers, from the streets of Los Angeles to a Native American reservation, a worried portrait of youth across the Atlantic. Halfway through, the opportunities for distraction from our own tormented current events are slim.
Projected as a curtain raiser, Call Jane, with Elizabeth Banks and Sigourney Weaver, revives the network of women activists providing clandestine abortions in sixties America which had not yet legalized abortion. The tragic resonance with the news, while the Supreme Court has reconsidered this achievement, gives rise to a deep dread that dynamites a staging that is nevertheless ripped off.
Read alsoJesse Eisenberg in Deauville: “I have a lot of admiration for Woody Allen”
Getting to the heart of the “worried youth” theme, 1-800-Hot-Nite
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