Column by Evgenia Milova about social life
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The closing and award ceremony will take place in Gelendzhik this evening. the first festival of contemporary Russian cinema “Mayak”. I spent most of the week there, so from the rest of the social life in Moscow, I can only mention the party in honor of the birthday of the telegram channel “Antiglyanets” – the most influential glossy publication in all respects, except the medium, in today’s Moscow. “Antiglyantsets” got the last warm evening of this year, and he made the most of it: he gathered guests in the apartments of the Lumen house, from the terrace of which there is a view of the alleys behind Slavyanskaya Square. There, in the air, guests constantly came up to smoke and take pictures. Older people would not fail to call such a party an apartment party, but the authors of the birthday channel are younger than the average organizer of a SPIEF party, so it was clearly a fit-in. Where there were not only friends, but also enemies, for example, journalists Ksenia Sobchak and Nadezhda Strelets. However, the skill of the organizers also lay in the fact that everyone who should not have collided nose to nose missed each other. Otherwise, it was clear from the event that the resource had become quite mature. In addition to telegram comrades, simply respectable social acquaintances were invited here.
The Mayak festival is the first festival that can be called a direct successor to Kinotavr. Its organizer was the Kinoprime Foundation for the Development of Contemporary Cinema, headed by Anton Malyshev, but it exists at the expense of Roman Abramovich. In recent years, Mr. Abramovich has also been no stranger to Kinotavr. Probably, if he wanted, the festival could not change either its name or address. But, fortunately, everything has changed. Moreover, in the fall of 2021 there was already an attempt to organize a cultural festival in Gelendzhik. Then it was called the festival of contemporary culture “Seasons”, it was headed by Sofya Kapkova, and Mr. Abramovich personally came to Ivan Dorn’s concert in honor of the opening. However, Mr. Malyshev emphasized that Mayak was not created to replace Kinotavr: “But it is obvious that the industry needs an honest review of current Russian films.” Judging by the mood of those who arrived, this is so. Getting to Gelendzhik today is difficult and exhausting, so almost all the participants and guests came to be here from beginning to end, and all the time they obediently watched three films a day, although other entertainment was available. For example, an excursion to the vineyards of the Chateau de Talue, owned by the family of Alexander Tkachev, or the excellent nutritional and entertainment facilities of the Metropol Hotel, where everyone settled, or, finally, just the beach – after all, the finale of the velvet season. No, we still watched the movie and talked about it. And they weren’t even particularly buzzy at the parties that took place in the festival’s establishment of the same name. Although the words “let’s go to Mayak” certainly could not help but echo nostalgia in the hearts of Pavel Lungin, Alexey German and other creative workers. The organizers seemed to have provided for evening gatherings, but at the same time observed moderation and appropriateness in everything. This happens very rarely now. By the weekend, a large squad of motorcyclists had moved into this cinematic idyll – a club of Harley Davidson lovers and their girlfriends occupied not only the hotel parking lot, but also the tables in the lobby bar. A Cossack choir came after them to perform at a gala biker evening. It was only a matter of time before the two subcultures made contact with each other. Oddly enough, only jury member Nadezhda Vasilyeva-Balabanova and Mr. German decided to take part in it. Everyone else went to bed so as not to sleep through the movie.
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