The series “Get her across the Maidan” and “10 days until spring” made history

The series “Get her across the Maidan” and “10 days until spring” made history

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How did the new political thrillers turn out?

Two federal channels aired series about the dramatic events in Kyiv and Crimea in 2014. “Get Her Across the Maidan” and “10 Days Until Spring” have many differences, but both projects are filled with techniques that are quite typical for local historical series.

The creators of these projects almost in unison say that they filmed primarily about people who found themselves in the thick of things. The main character of “Get Her Across the Maidan” is an SBU colonel who is assigned the case of a bank robbery in Donetsk. During the investigation, it turns out that the stolen money should be used to finance a political game, and thus the officer finds himself in the midst of a confrontation between the intelligence services of different countries.

In the series “10 Days Until Spring,” the plot revolves around two brothers and sisters who gather in Simferopol to bury their father and solve problems with their inheritance in the form of a house on the coast. A local special forces officer, a doctor working in Moscow, and a schoolteacher are clearly not on the best terms, but the maelstrom of the Crimean events of 2014 forces them to remember that they are one family.

The authors of both series clearly do not shy away from genres. Here is the political thriller expected to interpret the events of that time, and a detective story, and, of course, a melodrama, without which no serial film is now simply unthinkable. There is always a weak link in such a genre cocktail, and, perhaps, the recreated historical background is the least interesting in both.

In “Get Her Across the Maidan”, due to a dozen storylines of different characters, the plot develops rather slowly, although dynamics are very important for a political thriller. The situation is aggravated by rather sluggish and blurry dialogues, which are not very suitable for the political and espionage elites carrying out their insidious deeds.

In “10 Days Until Spring,” political intrigue is also far from the strongest point of the series, but the desire to fit the events of the script into ten days, combined with the abundance of star faces in the frame (the main roles were played by Alexander Golubev, Pyotr Rykov and Karina Andolenko) adds energy to what is happening. The recreated scenes of clashes in the center of Kyiv turned out to be quite spectacular (in “Get Her Across the Maidan” they limited themselves to chronicle footage), and as a result, in “10 Days Until Spring” there seemed to be more events per unit of time.

Melodrama, as the genre queen of federal prime time, will definitely find its way into either a historical project or a comedy. Therefore, to the accompaniment of news from ten years ago, the heroes of “Get Her Across the Maidan” and “10 Days Until Spring” sort things out, cheat, try to give a new impetus to feelings and present this with the sauce of completely divorced from ordinary life, sometimes quite ridiculous dialogues. Apparently, this is already a classic of the genre and something that people still like.

Reason and feelings against the background of barricades, of course, can become spices for the plot, but if we consider both projects as series that present the latest history, then the taste of the main dish is very difficult to correct. For those who want to understand what really happened there ten years ago, no other project will help. Moreover, the authors do not seem to have planned anything like this. Perhaps they wanted to put their heroes in the most difficult situations and force them to show both their wonderful and terrible qualities. And it partially worked out.

However, the political information from the creators of these series came out like that of schoolchildren, without much understanding, reading the editorials of yellowish newspapers in front of their classmates. Not very talented caricatures of famous politicians, caricatures of imaginary enemies and a lot of shallow conclusions. And while some documentary filmmakers have made significant progress in covering the events of ten years ago, discoveries are only yet to come in feature films. It would be good to wait.

Published in the newspaper “Moskovsky Komsomolets” No. 29239 dated March 20, 2024

Newspaper headline:
Camouflage and espionage

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