“The controversy will disappear, the film will stay”

“The controversy will disappear, the film will stay”

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A few months after the controversy sparked by the remarks she made in an interview with Konbini, Lola Quivoron insists on recalling that cross-bitumen is not the subject of her film. JOEL SAGET / AFP

Asked by Léa Salamé on France Inter, the 33-year-old director intends to silence the controversy surrounding her film, which is scheduled for release on September 7.

Jury’s favorite in the Un certain regard category at Cannes, Rodeo by Lola Quivoron will be released in theaters on September 7, while accidents related to urban rodeo are at the heart of the news. guest on France Inter for the promotion of his film Thursday 1er September, the director returned to the controversy sparked by an interview given last May when she was presenting her film at Cannes.

“Accidents are often caused by cops, chasing riders and pushing them to their death.” The sentence, pronounced on the Croisette in front of the camera of Konbini, has not gone unnoticed. Asked about the cross-bitumen culture, a practice placed in the background of her film and often likened to urban rodeos, Lola Quivoron had aroused strong reactions from police unions and political figures.

In July, the 33-year-old filmmaker wanted to qualify in the columns of the Parisian maintaining that his remarks had been “caricatured, overinterpreted, extrapolated over articles and TV showsand pointing to the edited Konbini video.

“Cross-bitumen is not the subject of my film”

Thursday 1er September, it is at the microphone of France Inter that Lola Quivoron responds again to the controversy. “This sentence does not reflect what I think. It has been highlighted, twisted a little in all directions, caricatured, a lot; and this is only one facet of reality”, told the director. Questioned by Léa Salamé, who recalls thata girl was seriously injured in early August during an urban rodeo in Pontoisethe director who herself practiced cross bitumen, adds: “It is not because I point out this reality that I forget all those which exist, […] and all those who are in the news every week.

If Léa Salamé like Lola Quivoron want to differentiate the cross bitumen, usually practiced on roads without traffic, often far from city centers, wild rodeos, the film inevitably echoes this dangerous practice which multiplies. Interior Minister Gérald Darmanin has also announced that he wants to intensify controls throughout France to fight against these “Often criminal acts that come to kill, which very seriously injure women, children”.

A news that comes, according to Lola Quivoron, “invisibilize the most important”. The cross bitumen is the backdrop of my film, it is not the subject of my film, she recalls. What’s interesting is putting cinema back at the center, the fact that it’s mythology, it’s epic, it’s fiction and it’s about a woman’s journey. The controversy will quickly disappear, the film will remain.



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