Oscars apologize to booed Native American actress after refusing Marlon Brando statuette in 1973

Oscars apologize to booed Native American actress after refusing Marlon Brando statuette in 1973

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Apache and Yaqui actress and activist Sacheen Littlefeather was shouted down at the 1973 ceremony as she explained why Marlon Brando, who didn’t show up, declined his Best Actor Oscar for The Godfather.

Almost fifty years after being booed on the Oscars stage for refusing, on behalf of Marlon Brandoan award protesting Hollywood’s treatment of Native Americans, Sacheen Littlefeather has received an apology from the Academy of Motion Picture Arts and Sciences, the organization announced Monday.

Actress and activist Sacheen Littlefeather, who is Apache and Yaqui, had been jeered at the 1973 ceremony as she explained why Marlon Brando, who did not attend, could not accept his Best Actor Oscar for The Godfather. She later claimed that security guards had to prevent John Waynethe star of westerns, to physically attack him.

The insults you suffered because of this statement were misplaced and unjustifiedsays the letter sent in June by then-President of the Academy, David Rubin. “The emotional burden you have carried and the cost to your own career in our industry is irreparable. For too long, the courage you have shown has gone unrecognized. For this, we offer you both our most sincere apologies and we express our sincere admiration.“.

“We Indians are very patient people – it’s only been fifty years! »

Sacheen Littlefeather

The Academy released this letter as it announced that Sacheen Littlefeather was invited to speak at the Oscars museum in Los Angeles on September 17. “We Indians are very patient people – it’s only been fifty years!reacted Sacheen Littlefeather, 75 today, in a press release. “We have to keep our sense of humor about it all the time. It’s our means of survival“, she added. “It’s heartwarming to see how so much has changed since I didn’t accept the Oscar.“.

The museum, which opened last September, pledged to deal with “the problematic storyof the film industry, whether it be the racism that tainted Gone with the wind or recent controversies over the low representation of women and minorities. He already discusses the welcome given to Sacheen Littlefeather on that famous evening in 1973.

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