Minimalist electronics from Kraftwerk visiting the night of Rock en Seine
[ad_1]
From time to time, the programmers of the Rock en Seine festival put on their poster rather conceived as a balance between big international stars of the moment – who bring the public -, groups taking on importance and young shoots, figures known as ” historical”. The older ones in attendance reunite with their heroes; as for the youngest – students, thirty-somethings – who “have heard of it”, they come for a walk out of curiosity.
We thus remember the transgenerational successes on the festival site of the national domain of Saint-Cloud (Hauts-de-Seine) in 2010 from Roxy Music, formed in 1971, the pinnacle of British pop elegance, or, in 2014, Blondie, formed in 1974, which shook the New York punk scene with its pop contributions. Or even Iggy Pop, in 2016, long sacred as a punk godfather. For the 2022 vintage of Rock en Seine, this Friday August 26, the historics are the Germans of Kraftwerk.
Pioneer status
Founded in 1970 in Düsseldorf by Ralf Hütter and Florian Schneider (died April 21, 2020)Kraftwerk rose to prominence with their fourth album Autobahn, published in 1974. The main lines of his electronic music are established there; rather minimalist, disembodied, with repetitive rhythmic patterns, melodies like refrains, the voice more spoken than sung (according to various albums, it will also be distorted), the use of sounds related to cars (evocations of car horns , vibration of overtaking, etc.). For electronic music in need of finding references, Kraftwerk has pioneer status.
It is 9:15 p.m. when the greeting is heard “Meine Damen und Herren”then the count of digits that are the subject of Numbers. They are four on the Cascade stage, almost motionless. Each in front of a rectangular console placed on a foot, which contains pre-recorded sounds, systems for controlling musical software, which make it possible to distribute the interventions, rhythmic parts for one, bass for the other, melodic lines… On a large screen , are projected images to see while wearing (or not) 3D glasses distributed before the concert, with some relief effects. Kraftwerk’s 3D Concert has been around since the early 2010s.
Here are lines of twisting green numbers, an antique computer advancing toward the audience (computer world), a view of the Earth from space and the arrival of a flying saucer with an advanced 3D effect that triggers ” Oh “ and “oh” (spacelab).
You have 28.83% of this article left to read. The following is for subscribers only.
[ad_2]
Source link
