“Winnie the Pooh: Blood and Honey”: here is an empty pot, it is a simple object

One day, while walking through the Hundred Acre Forest, young Christopher Robin stumbled upon strange creatures – either people or animals, they speak articulately, they look creepy. The creatures introduced themselves as Piglet, Eeyore, Owl (in the Russian version – Owl), Rabbit and Winnie the bear cub. Anyone would have run away from them as fast as they could, but the boy had the naivety to make friends with the monsters, spent a lot of time with them and dragged them food from the house. When Christopher Robin grew up, he left for college and left his comrades. They got angry with him, ate the donkey Eeyore out of hunger and, vowing from now on to exterminate everything human from themselves, turned into bloodthirsty killers. This is the backstory told in the animated prologue.

Five years later, a grown-up Christopher Robin (debutant Nikolai Leon) returns to the Hundred Acre Wood with his fiancée to introduce her to childhood friends and at the same time to see if they imitated him. It would be better if he didn’t do this: the old comrades are not very happy with him and immediately begin to behave towards the visitors the way monsters behave in typical horror films. However, after 10 minutes this story suddenly ends and without any transition, a completely different one begins to unfold – about five girls who go to rest in a house in the same forest. This, of course, was also a very bad idea. Yes, the narrative structure of the film is strange.