the Passion through the mysterious relic
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CRITICISM – Fascinated for forty years by the enigma of the shroud of Turin, Jean-Christian Petitfils, author of two books on Jesus, delivers today the most complete synthesis on the subject.
It was in a photographer’s darkroom that one of the most moving images was revealed for the first time. That of a crucified man asleep in death, of fascinating beauty, imbued with nobility and serenity, who bore on his entire body and face, front and back, the stigmata of appalling suffering.
Until then, on the linen, one could only distinguish, up close, a few spots of pale colors and, stepping back, a vague silhouette without clear contours. This is to say the shock caused by this negative (that of the face) installed in a dark room of the exhibition of sacred art which took place in Turin in 1898. We had been able to take the said shots on the occasion of the exhibition of the Holy Shroudpreserved in the cathedral.
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Some people had no doubt, nineteen centuries later, of being able to contemplate the features of Jesus Christ. This event also aroused, one suspects, the most lively reactions and the most violent controversies. And it has never stopped since.
But, by…
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