“Rodeo”, “Revoir Paris”, “Everyone loves Jeanne”… Cinema outings
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THE MORNING LIST
In the absence of a big American release, French cinema, in particular, is taking its ease this week. The offer is abundant and conducive to satisfying all audiences. A shocking and feminist debut feature that makes the asphalt burn (Rodeo), a sensitive evocation of the terrorist attacks of 2015 and the mourning of the survivors (See Paris again), a joyfully depressive first auteur comedy (Everybody loves Joan), a second sci-fi comedy (The Visitor from the Future)a third historical comedy (The Tiger and the President), and also a political thriller on Russian soil (Kompromat).
“Rodeo”: portrait of a biker on fire
Preceded by a scent of controversy relating to the question, which has become sensitive, of urban rodeos, it is urgent to return to this film for what it is. Point of view immersed in the middle of the cross bitumen, it is about an approach more behaviourist than ideological, a reflection with double trigger around the marginality of its characters. Either, on the one hand, an ostentatious, criminal and cheats death mode of existence of the young people of the housing estates who defy in doing so their social reclusion. Or, on the other hand and even more so, the intrusion into this seriously testosterone-ridden environment of a young woman who comes, at the risk of her life, to challenge the guys on their own ground.
Her name is Julia. Julie Ledru, real biker in life, interprets it on very high voltage. The story of a girl who nobody wants at home, who frees herself by motorbike and will try to force the recognition of a group of cross bitumen enthusiasts gathered around an underground garage, led by a confirmed thug , Domino, who runs their crimes from the prison where he is serving his sentence. Despised by the gang, Julia will carve out her place with blows of bluff, fearlessness and anti-seduction. Black sun of the band, Julia holds the place of a two-faced divinity. Alternately beautiful and ugly. Seductive and surly. Girl and boy. Queen and tramp. And then again a rider, a hooligan, a warrior. As well a desolate child that one would like to take in one’s arms to appease her a little. The film, shot in the stomach, fires all kinds of wood and all genres (western, polar, fantastic…) and reveals in Lola Quivoron, who is making her first feature film, a sacred temperament for cinema. Jacques Mandelbaum
French film by Lola Quivoron. With Julie Ledru, Yanis Lafki, Antonia Buresi, Cody Schroeder (1h45).
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