Hervé Robbe, border-breaking choreographer
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In the midst of the cacophony of a Parisian café, the choreographer Hervé Robbe, enveloped in a bubble of calm, stops the noise. We join him to temporarily take shelter from the whirlwind of the new school year. Light green shirt matching his eyes, summery allure, this discreet but major personality in contemporary dance since the 1990s still looks alike. His apparent gentleness, his firm and calm tone in the discussion as in the way of envisaging his trajectory are unalterable.
While attacking his tenth season at the direction of the choreographic creation center of Royaumont (Val-d’Oise), the choreographer, 60, also signs the dance program of the festival, mainly musical, which takes place until October 2. . Devoted solely to music from the 1930s, the sublime Oise abbey, which became an international cultural center and then a foundation in 1964, opened up to dance in 1995. The American Susan Buirge, the first guest, passed the baton in 2008 to Myriam Gourfink, to whom Hervé Robbe succeeded in 2013. There he expanded the number of training courses and laboratories intended for performers and choreographers, insisting on the fundamental place of the festival “revealing of our year-round work”.
“Without artistic chapel”
The 2022 edition thus showcases the fresh research of thirty-year-old designers who have already received support within the framework of residencies offered at Royaumont. “Giving a few the chance to present a piece is vital right now, he comments. Despite numerous devices, the visibility of young people, more and more numerous to create and moreover much more in a hurry than we were in the 1980s, does not come about easily. » He underlines the fact that the many platforms dedicated to them tend to shoot in a closed professional environment and struggle to open up possibilities to mainstream theaters.
Claims “without artistic chapel”its program reflects the “mixing of people and styles” that it shelters in Royaumont. “I try to break down the boundaries between the different families, he details. I collaborate with hip-hop performers, more academic interpreters from conservatories or even choreographers from different backgrounds. »
Hervé Robbe, choreographer: “Despite many devices, the visibility of young people is not easy”
This variety of universe, the one that “has the chance to closely observe the aesthetic mutations of the contemporary scene”, cultivates it as closely as possible to current trends. With a keen eye on the choice of music. “Faced with a kind of sound standardization, I try to make young artists want to meet composers or more adventurous works than that of a pop or electro soundtrack as we too often hear., he said. Obviously, it’s probably more attractive, but entertaining isn’t always enough, even if it’s good for the sometimes airtight dance. »
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