at the Lucerne Festival, a program under the sign of diversity
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After two coronaviral years under the yoke of the pandemic, the director of the Lucerne Festival, Michael Haefliger, has marked his programming under the sign of diversity. Seven female conductors, twenty-four composers and sixteen works written by black musicians question the history of a predominantly white and male music industry, within a world where gender, sexual orientation and origin ethnic took priority. Thus, on the morning of Sunday August 28, invites the man who was nicknamed the “Black Mozart”, Joseph Bologne (1745-1799), former Knight of Saint-George, virtuoso violinist and composer of Guadeloupe origin, son of a French planter and a slave, who was one of the most prominent men of his time. Among its impressive catalog, this Symphony in D major op. 11 n° 2, led with energy and virtuosity by the Mahler Chamber Orchestra and its first violin, Matthew Truscott.
Highly anticipated, the famous concert symphony KV 364, by Mozart, which brings together Isabelle Faust’s violin and Antoine Tamestit’s viola. The two soloists joined the orchestra for the introduction, before the airy bow of the German, elegantly dressed in a minimalist blue and gold kimono, opens the way to the bliss of dialogue between soloists. The magnificent sound of the Frenchman melted into the racy line of his partner. On the breath, the cadence pushes the duo to the limits of osmosis.
Fluidity, science of phrasing and technical perfection contribute to the excellence of an “Andante” expressive but without pathos, while the final “Presto” highlights the galvanizing complicity of the artists, whose speckled foil duet takes on the appearance of a facetious joust. It is all standing musicians that the Mahler Chamber Orchestra then takes the reins of the Symphony KV 425 “Linz”, by Mozart. Total overthrow of the regime: the quasi-military direction of Matthew Truscott gives the work a stiffness and an irrelevant dramatic weight.
collective improvisation
Highlight of the “diversity” theme with the concert devoted to the works of Tyshawn Sorey, “star artist” of the Lucerne Festival 2022, in the same way as the South African singer, Golda Schultz. Drummer, pianist, trombonist, composer and conductor, the African-American oscillates between jazz and contemporary music, mixing written and improvised music. At the age of 42 (he was born on July 8, 1980), the musician notably created, in 2018, in Philadelphia, in connection with the Black Lives Matter movement, Cycles of My Beingdedicated to tenor Lawrence Brownlee on poems by Terrance Hayes.
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