a young Kazakh art historian analyzes “Pristina 2022”
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MEET – A member of the curatorial collective Les Radicants, Kuralai Abdukhalikova casts her keen and critical eye on the 14th edition of the biennial nomad held in Kosovo until October 30.
Fine, brunette, fiery, passionate about the diatribes generated by art and its biennials, Kuralai Abdukhalikova is one of the members of the new collective of curators created in February 2022 by Nicolas Bourriaud, Radicants. Born in 1988 in USSR, this Kazakh is naturally combative. In Pristina, she was everywhere, from every performance and every meeting, to the vernissages and the Galleria Continua dinner for her Kosovar artist Sislej Xhafa.
His enthusiasm is justified. “My absolute crush is Cevdet Erek, an artist from Istanbul who has a total sense of space and rhythm. He made a work in situ in the brutalist building of the Rilindja Printing House (monument of brutalist architecture designed by the Macedonian Georgi Konstantinovski in the 1980s, editor’s note). The sounds and lights coming from underground were like the pulsations of this intrinsically underground city, which, through its architecture and history, could only embrace techno. Erek combined…
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