A Ukrainian report on Mariupol awarded at the Visa pour l’image festival
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Evgeniy Maloletka was awarded the Visa d’or for his photographs taken inside the besieged port city at the start of the war in Ukraine, between February 23 and March 15.
The most tragic international news prevailed. The Visa d’or News, the most prestigious award in the Visa pour l’image international photojournalism festival of Perpignan, was awarded on Saturday to Evgeniy Maloletka for his reports in Mariupol,the martyr city of southern Ukraine.
The Ukrainian Associated Press photographer, 35, and fellow AP videographer Mstyslav Chernov, 37, were the first journalists to enter Mariupol on February 23, an hour before the first bomb, and the last to leave on March 15. Very moved, Evgeniy Maloletka dedicated his prize “to the Ukrainian people”emphasizing the importance of this recognition of his work.
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“These 20 days in Mariupol have been like one endless long day, getting worse and worse”, told AFP Evgeniy Maloletka in front of his poignant photos of killed children, pregnant women in the rubble, mass graves dug in haste, unable to organize a funeral because of the bombardments. The shelling by the Russian army of this port city of 400,000 inhabitants, in particular of a maternity hospital, sparked outrage in the international community.
The other nominees were Ukrainian-born Australian photographer Daniel Berehulak for his feature “People used to live here” (New York Times) on the massacre of civilians in Boutchaand Marcus Yam, a Malaysian-born American reporter, for “The Fall of Afghanistan” (Los Angeles Times). Seven Visa d’or, five prizes and three scholarships were awarded during the festival.
Ukraine at the center of concerns
Ukraine was one of the major themes of this 34th edition of the festival which opened on August 27th. The Golden Visa of the daily press went to the Danish newspaper politics for Mads Nissen’s work on war. The city of Perpignan Rémi Ochlik prize also rewarded the photos taken in Ukraine by Lucas Barioulet for The world.
The planet and its disturbances caused by human activity were also at the heart of the festival. Visa d’or Magazine honored Brent Stirton (Getty Images/National Geographic) for “Bushmeat: the origin of epidemics”, and the prize from the Yves Rocher foundation, aimed at facilitating a report on environmental issues, went to Alain Schroeder who works on Indonesia.
The Humanitarian Golden Visa of the International Committee of the Red Cross (ICRC) rewarded Sameer Al-Doumy (AFP) for “The roads of death”, on the migration crisis in the north of France, and that of the digital information France Info went to Max Bearak, Dylan Moriarty and Julia Ledur for “Africa Cities Rising” broadcast by the washington post.
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The Honorary Golden Visa Figaro Magazine, honoring the career of a still active photographer, was awarded to Alain Keler (Myop), known in particular for his photos of Chechnya, El Salvador and Tiananmen. Among other awards, the Pierre and Alexandra Boulat Prize recognized Laura Morton’s work on automated technologies. The Canon Female Photojournalist Fellowship went to Natalya Saprunova for her project on the Evenk people in Siberia, that of the short-film video documentary to Irene Baqué who is filming Casa Xochiquetzal, a refuge for retired sex workers in Mexico City. The Camille Lepage Prize was awarded to Rebecca Conway, who works on the impact of the Civil War on mental health in Sri Lankaand the Carmignac Photojournalism Prize to Fabiola Ferrero for her project on the economic debacle in Venezuela.
The 25 free exhibitions of Visa – which also offered screenings, meetings with photographers and round tables – remain open until September 11. Reports will be projected on a giant screen on September 23 and 24 at the Grande Halle de La Villette in Paris. Last year, the Visa d’or News for the first time rewarded a photographer remained anonymous for security, for his work on “The Spring Revolution” in Burma. In 2020, it was awarded to Fabio Bucciarelli (2020, Bergamo, epicenter of the Covid-19 pandemic in Italy).
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