Stars defeat sorcerers with jokes in the show “Psychics. Revenge”
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On television, celebrities are mercilessly exploited. They are required to make unexpected confessions and shocking details, and are also placed in completely idiotic situations. But the star power is still impressive. In the battle with ordinary people in “Survive in Samarkand” and in the clash with sorcerers and clairvoyants in the show “Psychics. Revenge” celebrities are still at their best.
The witch-keykeeper Violetta Polyakova takes an animal’s heart out of the chest, approaches Natalya Sturm (1) and says that she senses the singer’s imminent death. Natalya is not at all impressed and indifferently remarks: “Right now I want to sneeze, not die.”
Irony leaves all the feigned magic as if without pants, but psychics are so experienced in television processes that, until the “stop” command is sounded, they work with all their might. The search for the person who performed the love spell (Natalia Shturm is one of the candidates) stubbornly continues, despite the embarrassment.
In Samarkand, meanwhile, the star and popular teams are fighting for the right to live in luxury, and not in the desert, going through various tests. Probably the most important thing is to come to an agreement among themselves, and here celebrities, like a ball of kissing snakes, seem to have much less chance.
As it turns out, this is an outdated installation. People’s nominees seem to have been infected by the stars with whims and pretensions, and sometimes the usual symptoms of snobbery manifest themselves much more abruptly. Celebrities also suffer from all this, but they know how to come to an agreement, and Vlad Topalov is also incredibly dexterous in catching watermelons and weighs vegetables and fruits perfectly by eye, which brings him a personal victory.
Probably those who are favored by fortune become famous. The stars know how to get away with it, and a lot is forgiven to them. Sometimes it feels like too much. Pavel Volya, together with Laysan Utyasheva (2), famously jokes about the participants of “Survive in Samarkand,” and Marat Basharov, who became an integral part of the “Battle of Psychics” as the host, is inextricably linked with high-profile cases of family abuse. And all this is much stronger than a fashion show in playful underwear. However, the show goes on, jokes are made, people laugh.
A BEAUTIFUL FAR
Non-stop film screening, practiced by some channels, sometimes gives a sea of emotions. Especially when films are shown back-to-back, transporting the viewer to different worlds. Woody Allen’s “Bullets over Broadway” and Alexander Zeldovich’s “Target” recently turned out to be just such neighbors on the grid.
Even demanding fans of the American film classic can watch Allen at random without the risk of being disappointed. There may be different times and settings in these paintings, but almost all of Allen’s projects are very current. Like “Bullets Over Broadway” – about a screenwriter who, in the twenties, is forced to stage a play with the money of a mafioso, and as a compromise give the role to a gangster girlfriend.
In a film about an era a century ago, everything is as it is now. Producers, for whom money is more important than anything else, thugs with a thirst for beauty, boorish kept women, and finally, the intelligentsia with its eternal and rather unprincipled tossing between the praise of art and the thirst for profit.
“Target” (pictured) is also a time travel, but only to the near future. Work on the film began in the 2000s, and, according to the script, the action took place in 2020 in Russia, which has finally found itself. Now this is very funny to watch. Having experienced 2020 as it really turned out and looking at what is happening now.
According to the plot, a small company, consisting of the minister of raw materials and people who were able to stick to him, goes to Altai, where, at an abandoned Soviet astrophysical complex, you can “get drunk” with cosmic particles and gain youth and keen senses. It turns out quite quickly that an attempt to play with nature will not end well, but the main thing in all this film action is Russian stability, as it was invented by director Zeldovich and screenwriter Sorokin.
Minus sometimes a little comic clothing and the same means of transportation, everything is very believable. Moscow is turning into an exemplary Asian metropolis, the country is, in fact, a huge highway along which trucks from China to Europe rush at breakneck speed, the Chinese language is a familiar way of communication for almost everyone, the commodity kings feel like celestials, the media entertains the people as much as they can .
In some places, of course, it’s creepy, but someone will definitely like it. A fairy tale has a chance to become reality. Although it is not entirely clear which of them is scarier.
Newspaper headline:
Magic jokes
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