Polina Gagarina as Khromtchenko sentenced fashion
[ad_1]
Programs about fashion in a situation where almost everything related to this fashion is running out of the market look almost heroic. Call it boundless self-confidence or a good face on a bad game, but the talk of elegance, sporty chic, grunge and classic is still carried on so glibly, as if nothing was happening around.
In the absence of the Fashion Sentence, the TV passion around the clothes is probably devoid of a certain gloss and looks a little provincial. Well, we don’t have a second Evelina Khromchenko and another Alexander Vasiliev on television, and the so-called millionaire bloggers in the roles of experts sometimes look like the heroines of the “Monkey and Glasses” fable, even if their glasses are the most fashionable.
In the Fashion Games program, the whole Polina Gagarina rushes to the aid of self-proclaimed superstylists as a host. But even a pop diva in a well-tailored dress does not really save the situation. There are many reasons why Polina should have taken up music. And there are reasons why it makes no sense for her to host television programs. Popularity and spectacular appearance are probably important, but they do not turn the singer into a TV presenter, although the producers are most likely sure that these two factors are now the main ones.
The program is only half an hour long, and this is not the time for even millionaire bloggers to unbalance you, but they do a lot. Probably never before has a fashion project looked so creepy retro. As if outside the window is the same golden era of social networks, pouty lips and multi-colored glasses are associated with beauty and success, and the selection of things for a photo shoot is the only thing that worries the girls. Add to this instructive recommendations issued with a serious look, but in a very amusing Russian language.
Fashion is not easy for the masses to understand, which is why the best programs on how to dress always have the opportunity for growth. Educated and experienced people will tell you what’s what, and perhaps make your life easier – at least in a situation where you need to choose clothes. But under the guidance of Polina Gagarina, they solve a completely different task: you need to determine who is a fake stylist and who is real.
The task, by the way, is not an easy one – primarily because it is not entirely clear which stylists are really real now. Those who teach how to collect bows, or those who can get clothes to bypass the sanctions. Those who follow the trends, or those who know how to buy everything they need and pack it in one suitcase during a trip to the country of the surviving mass market. There are many indications that new headings may be needed in fashion programs. But millionaire bloggers in the role of stylists have no idea about this yet.
Editing for Tsoi
Tsoi is our everything! Under this motto, local television can still justify its special projects about dates associated with the main Russian rock star. The night of Tsoi’s memory is best called a spontaneous and poorly thought out event, but in the end it turned out to be very atmospheric.
Some of our traditions are alive to the point of obscenity. Since the last century, rock and roll, both in the musical and cinematic sense, has, as a rule, lived on the night air. Apparently, this culture is still considered a delicacy with an unreliable reputation. And it’s probably even better that way. At least at night, those who want to watch and listen to Tsoi do not distract anything from this activity.
On the night of Monday to Tuesday (from the point of view of the ratings, the time is absolutely deaf), Assa and Igla, as well as the last concert of the Kino group, went on the air. And if it’s already difficult to do something with legendary films, since no one has yet thought of giving them a modern color, then a concert at Luzhniki is always an intrigue.
This is the same concert that took place in June 1990 at the MK festival as the culmination of the Soundtrack festival. A gigantic stage for those times, a full bowl of people and even an Olympic torch animated for such an occasion. The show was filmed for television, but the original master cassette was drowned in the archives of Yuri Aizenshpis, who at that time was in charge of all the affairs of the Kino group. Fortunately, copies remained, which were carefully digitized and from time to time are shown on different channels.
True, the digitization did not work out. Enthusiasts appeared who wanted to polish the old shooting in order to give the performance of Tsoi and Co. a more modern look. As a result, the concert was re-edited, re-voiced in places – and in the end they made it much worse.
Probably, “Kino” in its classical form and sound belongs to those groups whose songs are better left untouched. Let them wheeze and crackle a little, let everything sound muffled, but look dull, because it is in this vintage form that you can understand everything about that time, those songs and those people. Leave Tsoi in the form in which millions of people remember him, and do not try to make something modern out of the Kino concert. This has already been done by former members of the group, whose shows are hard to beat. And it is against the backdrop of such high-tech that the original footage of that very concert looks like a story untouched by the hands of television censors. In general, hands off Tsoi!
Newspaper headline:
week on air
[ad_2]
Source link
