GITIS figured out how to save the profession of theater critic
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“Not the faculty of unnecessary things”
GITIS youth launched a new theater project, in which students took part. According to the press service of the university, the project involves the release of an independent publication, as well as the placement of educational podcasts and videos on the Internet.
The publication of the first issue of the Theater Journal against the backdrop of the closure of a number of specialized publications is definitely good news. At this stage, it is known that students and graduates of the theater studies and production departments of the Russian Institute of Theater Arts want to publish printed issues every two months. The guys managed to connect the veteran theater critic Rimma Krechetova to the pilot episode. Boris Lyubimov, Alexander Chepurov, Nina Shalimova, Elena Alekseeva, Tatyana Tkach, Vadim Shcherbakov, Alexander Vislov and others spoke about the topical problems of theater criticism on its pages, and Oleg Basilashvili and Alexei Bartoshevich allowed their reflections on the two-volume “Letters to the Art Theater” to be printed. “, previously caught in the field of view of” MK “.
In the section “Dramaturgy” a fragment of the play “Never – Nobody – About Nothing” by playwrights Olga Mikhailova and Elena Isaeva has been published. In the section “Ostrovsky” – reviews of performances based on the plays of the classic, whose 200th anniversary is celebrated this year.
“The writer Yuri Dombrovsky has a novel “Faculty of Useless Things” and I really don’t want the theater department and its students to think that they will have to deal with PR for building materials and hotel services. I want the profession to be respected and in demand, ”says Grigory Zaslavsky, rector of GITIS, about the new undertaking. Thus, with the help of the magazine, the institute intends not only to fill the information vacuum, but also to “save” the profession of theater critic and increase the general interest in the work of serving Melpomene.
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