Elena Hanga is back: not “About this,” but with a sparkle
[ad_1]
TV review of the week
Elena Hanga returned to her Russian fans. With a thoughtful face, a joke at the ready and an enviable posture, she again asks questions in the Hanga PRO program, giving experienced viewers nostalgia for the times when the presenter’s chair was trusted to just anyone.
When television had an alternative in the form of the Internet, and not only short videos, but also projects in a completely broadcast format became available online, the interview genre experienced a teenage rebellion. Two, chairs, a wall, three cameras, slang from the gateway, accents of any exoticism, in general, the Internet interview, as befits a troubled teenager, behaved as if to spite his older TV relative. And in conversational Internet projects, the idea was promoted that anyone can ask questions. Blogger, rapper, model, stylist, journalist, rejected by the most seedy channel, and so on.
Let’s be honest, watching all this is sometimes even fun, but if you are over thirty and know how to talk without playful interjections, then the fun does not last long. Most likely, television producers were not very worried about this state of affairs, but a couple of years ago there were very few intelligible interviewers left on air, and the virus of the Internet style of communication began to penetrate deeper into television, turning almost all remaining secular projects into cheerful mooing and friendly neighing.
Against this background, Elena Khanga’s new program clearly fills an important niche. In the episode with Tatyana Bulanova, for example, there was everything that the average person likes, but does not scare him. Laughter and tears, fans and haters, champagne and Botox. There are no more complex terms than the contents of an eyedropper, but even when the conversation descended into lady chatter, the style and manners were kept at the level. In addition, Elena’s appearance in the frame immediately reminded us that not everyone can become a TV presenter. In the pursuit of trolling and roasting, everyone somehow forgot about a pleasant voice and manners, which are not at all superfluous for a TV personality.
The importance of TV presenters is most often greatly exaggerated. They are interesting while they are shown and are forgotten very quickly, but when some of them return, the public may have emotions in the spirit of “we were missing you.” So Elena is very useful now.
“HIDE AND HIDE” VS “SURVIVALITY”
Celebrities in the most uncomfortable position have always been liked by ordinary people. The gloss is slipping, bad angles show what was previously possible to hide, in general, a sea of positive emotions for everyone who is not alien to schadenfreude.
The shows “Hide and Seek” and “Survivality” have similar mocking attitudes toward celebrities, but they mock celebrities in different ways. In “Hide and Seek,” host Yegor Creed looks for show participants in the corners and basements of abandoned buildings. In “Survival,” the stars are tested for strength much like in “The Last Hero,” only in an even more sophisticated way, for example, by allowing them to go to the toilet only after solving some kind of puzzle.
Probably, “Hide and Seek” against the backdrop of “Survival” is a rather humane idea, although by climbing into a dusty box and jumping into the water from a helicopter, the project participants are clearly trying to deal with their own phobias. So it would probably be a good idea for viewers to sort out their aesthetic needs. If both shows return with new seasons, then it will be incredibly interesting for us to watch football player Artem Dzyuba hiding in a waste container, or singer Anton Zatsepin giving an interview on a flimsy cable car.
And in general, isn’t it time to make a show about how TV viewers change their tastes? Is it hard to get anyone to switch from Survival to Fellini?
Newspaper headline:
We’ve been missing you
[ad_2]
Source link
