Yuri Shatunov was remembered with dancing and tears
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TV review of the week
On Yuri Shatunov’s fiftieth birthday, a regular flow of memories and nostalgia was expected on air. This is what happened in the end, but the main role was taken by the songs, which played an unexpectedly large role in the lives of different people.
After the death of the main person in the history of “Tender May,” all conversations about the group and music took on a slightly different intonation. In fact, there is no one else to argue about the greatness or primitiveness of tunes, about singing to plywood or soul-wrenching concerts. All that remains are historical facts, statistical figures and an endless dispute over copyright.
The documentary film “Thorns of White Roses”, shown on the First, was filmed about ten years ago. Now it still looks with great interest, like any documentary, where there is a lot, a lot of things. But what used to look like a musical detective story has now lost its meaning. And the heartbreaking children’s drama, which was at the heart of Shatunov’s career, came first.
At the evening in memory of Shatunov, performed by Andrei Malakhov and Co., the main characters were the hits of “Tender May” performed by amateurs and people for whom these songs meant much more than one could imagine. It turned out to be dancing through tears. The general excitement for “Gray Night” and other pop artifacts was most mercilessly mixed with stories from the lives of those who are now singing these hits. And for almost all folk talents, the songs of “Tender May” and Shatunov became a real refuge from life’s circumstances.
Almost everyone can sing these “Roses”; it’s clearly not a matter of vocal abilities. It’s surprising that a modern fifteen-year-old child who finds himself in a shelter with a living mother can still be saved from depression by simple tunes from the eighties. Apparently, new ones have not yet been invented for such situations.
MALYSHEVA VS MYASNIKOV
The morning teledoc showdown still looks pretty exciting. Malysheva and Myasnikov are fighting, of course, not among themselves, but for our attention, but they receive patients differently, clearly asking the public to choose.
Elena Vasilyevna and her team in white coats recently went out to the market, where, in the company of a melon seller, they discussed the impulses of the optic nerve. The seller clearly felt like he was among unexpectedly arriving aliens and more or less came to his senses only when he was allowed to say hello to his family in Uzbekistan.
Alexander Leonidovich, meanwhile, was spinning a wheel decorated with skulls and playing some kind of roulette with one of the ladies invited to the studio. After the drawing, the lady stood in the plank position for thirty seconds to loud applause.
Showmanship performed by doctors has always aroused suspicion. Even when it has moved to a completely professional level with dramatic pauses, acting for the camera and other television tricks, I would like to advise doctors to return to diagnoses and prescriptions. But as soon as there is too much of both, you immediately miss the song of the eggs, which at one time blew up both the airwaves and the Internet.
Now Elena Vasilievna does not allow anything like that in the studio. However, he still delivers languid compliments towards guests masterfully. Alexander Leonidovich, in turn, reached heights in the role of a strict father who knows everything and does not tolerate objections. In their competition, it is important to understand what is more pleasant to you: eccentric wisdom or male narcissism. Fortunately, both are still without prior registration.
Newspaper headline:
TV week with Ilya Legostaev
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