“You can’t get away from yourself” – Kultura – Kommersant

"You can't get away from yourself" - Kultura - Kommersant

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160 years ago, in January 1863, the actor, director, theater reformer and the first People’s Artist of the USSR Konstantin Stanislavsky (real name Alekseev) was born. Views on the life, art and work of a man who went down in history with the phrase “I don’t believe!” Are in the Kommersant selection.

About self-discipline

“We must once and for all renounce self-mourning and self-spitting. In society, you need to smile, as Americans do. They don’t like wrinkled eyebrows. Cry and be sad at home or to yourself, but in public be cheerful, cheerful and pleasant. You have to discipline yourself in this regard.” (from the book “Ethics” by Konstantin Stanislavsky).

About harmony with yourself

“Whatever you dream about, whatever you experience in reality or in your imagination, you will always remain yourself. Never lose yourself on stage. Always act on your behalf as a human artist. You can’t get away from yourself” (from the book by Konstantin Stanislavsky “The work of an actor on himself in the creative process of experiencing”).

About the main roles

“He who is deprived of tragic or lyrical data dreams of Hamlet or the roles of a lover; The simpleton wants to be Don Juan, and the comedian wants to be King Lear. Ask an amateur what role he would most like to play. You will be surprised at his choice.” (from the book by Konstantin Stanislavsky “My life in art”).

About the essence of art

“In art, everything is an exception, not a rule. Art is essentially anarchic. Genius begins by destroying previous norms. Then scientists come and explain the genius himself in terms of these norms, until a new genius comes along, and therefore an anarchist, and again destroys all sorts of “in general” ” (from an article by Korney Chukovsky “The drama of life. A conversation with K. S. Stanislavsky” in the newspaper “Today”, 1907).

About happiness

“What is happiness on earth? In cognition. In art and in work, in comprehending it. Knowing the art in yourself, you know nature, the life of the world, the meaning of life, you know the soul-talent. There is no greater happiness than this.” (from a letter from Konstantin Stanislavsky to the artist of the Moscow Art Theater Nina Tikhomirova, 1933).

About working with Nemirovich-Danchenko

“The question of literature came up, and I immediately felt the superiority of Vladimir Ivanovich over myself, willingly submitted to his authority, having written down in the minutes of the meeting that I recognize my future partner in the theater with the full right of veto in all matters of a literary nature. But in the field of acting, directing, staging, I did not turn out to be so compliant … Over the next years we firmly adhered to this clause of the condition “ (from the collection of Konstantin Stanislavsky “I do not believe! Memories”).

About the benefits of experience

“Your own example is the best proof not only for others, but mostly for himself. When you demand from others what you yourself have already put into practice, you are sure that your demands are feasible, you know from your own experience whether it is difficult or easy. (from the book “Ethics” by Konstantin Stanislavsky).

About the calling of the director

“Politics has become an integral part of our lives, which means that the idea of ​​the state structure, the tasks of society in our time has entered, which means that we, directors, now have to think a lot about our profession and develop a special directorial thinking … The director must build your work in such a way that it arouses in the viewer the thoughts that modernity needs» (from Nikolai Gorchakov’s book “Director’s Lessons by K. S. Stanislavsky”).

About talent

“Geniuses will be born for centuries, great talents for decades, talents for years, mediocrities for days and mediocrity – for hours “ (from the book by Konstantin Stanislavsky “The Art of Representation”).

About prejudice

“The scariest the enemy of progress is prejudice: it slows down, it blocks the way to development” (from the book by Konstantin Stanislavsky “My life in art”).

About new

“The secret is out! He is that you can’t stay stuck on one for a long time, endlessly repeat beaten ” (from the book by Konstantin Stanislavsky “The work of an actor on himself in the creative process of experiencing”).

About truth

“In art, what is only fashionable quickly becomes old. But that which contains precious grains of the knowledge of truth, helping the artist to find the right ways of creativity, survives generations” (from the book by Konstantin Stanislavsky “Letters and Diaries”).

Prepared by Anastasia Vinnitskaya

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