to make Da Vinci Code fans cry
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Available on Salto since March 2022, The Lost Symbol arrives on M6 this Saturday, August 13. A tantalizing series on paper but disappointing on screen.
Third opus of the fantastico-esoteric-police pentalogy of Dan Brown made of Da Vinci Codenotably, The Lost Symbol (in French, The Lost Symbol) is the subject of a serial adaptation, enticing but highly touted, badly put together, badly written, messy. It was probably to be expected.
Many postponements and changes
Initially programmed in 2006, i.e. three years after the release of Da Vinci Code and six years after that ofAngels and Demons , the publication of the novel did not take place until 2009, after many postponements and revisions. In question, the weakness of its structure, the absence of real stakes and a story whose thickness sinned all the more as it was stuffed with useless details and unusable leads. Difficult to draw an adaptation that holds. The cinema tried before giving up. Television, on the other hand, took hold of it, deciding to rejuvenate the hero and to draw on a limited handful of threads so as to construct a narrative that would gain in clarity.
Read alsoThe Lost Symbol : counter esotericism on Salto
Its starting point is a lecture given at Harvard by professor and symbologist Robert Langdon (Ashley Zuckermann, discovered in 2010 in The Pacificsucceeds Tom Hanks) on Masonic symbolism in the official architecture of Washington DC, federal capital of the United States, seat of many international institutions, center of all powers. And everything is linked… Misinterpretation, conspiracy, mystery, political implications, Freemasonry drift, torture, intelligence interference, questioning of the founding myth as well as its fundamentals, quest, kidnapping, murder…
syrupy esotericism
Between The Raiders of the Lost Ark, The firm and Hannibalthe ten episodes of The Lost Symbol navigate on sight, at times effectively giving the impression, but showing a little too much the importance of the means implemented, then getting lost in demonstrations that are too meandering and wallowing to end up in a syrupy esotericism. The viewer remains unsatisfied. Worse, he would like to appreciate, rediscover some of the power of the worldwide success of Ron Howard. But no. Nothing works. Too bad, the program was ambitious. Proof, once again, that writing saves everything and everything, when it is mastered.
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