Not all viewers appreciated Malakhov instead of Eurovision
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The Eurovision final has been a way to pass a Saturday night for many years. In addition, on Monday there will be something to gossip with colleagues. But for three years now, the federal broadcast has clearly not been up to European passions, and in this situation we want to understand what is being offered to us as an alternative.
They offer something. It is customary to fill the Saturday air with music, and even in the absence of the Eurovision Song Contest, the songs sounded very different. Here, for example, is a concert dedicated to the 85th anniversary of Iosif Kobzon. A serious event, on stage the mind, honor and conscience of the local stage, monumental hits and a light sauce of pop hits.
On the other button, Andrey Malakhov plunges into the eighties, and this holiday, of course, with tears of nostalgia in his eyes. Evgeny Margulis in his “Kvartirnik” has the right to be a dude and charges the concert of Markscheider Kunst – also legends, only informal. Well, if you want a company, then you should go to the “Battle of Covers”. Foreignerism is now served, as a rule, in a rehashing-comedy form.
In general, there seems to be a lot of music, and for different tastes. But all the same, there is some kind of understatement, which is especially understandable if you still look at the same Eurofinal on the Internet or in some other way. By the way, the event was well advertised. On the air of various channels, extremely serious men and women with bulging eyes were broadcasting that this year a terrible bacchanalia of sounds and customs was going on at the competition, since we were not there.
Given the latest local TV trends, the prospect of bacchanalia seems very tempting. But those who found the opportunity to see her might be a little disappointed. Nothing supernatural happened at the Eurofinal. Everything is as always: sparks and routine, fun and boredom, bright characters and so-so artists. And one more thing “as always”: Eurovision is still the coolest TV concert, where the picture, as well as filming and editing technologies lead to enthusiastic bewilderment.
For the average viewer, the competition remains a sparkling concert, combined with breathtaking voting. And the louder they shout “they don’t like us there”, “everything is not like people”, “they vote not for songs, but for politics”, the more the average viewer misses the show, which, unlike local TV concerts, can be discuss on Monday with colleagues.
LAUGHTER WITHOUT A REASON
Anyone who loves sitcoms probably has nothing to be proud of. This is something like a skeleton in the closet or a pleasure that you don’t want to admit. On the other hand, from the reputation of a viewer with requests, you also need to take a break sometime.
Sitcoms are a rather insidious invention. Everything seems to be very simple: one and a half locations and a set of jokes in the best case of an average flight. So many people think, and then they suddenly discover that they are stuck on these jokes, and the comedy characters are just like family to you. In general, the Voronin effect. Or “Kitchen”. Nothing special, but not to be missed.
With the opening of streaming, it might seem that the jokes were over. Now we are all interested in projects on a grand scale, scenarios that make their way to shivers, and if they are jokes, then another flight. But all these signs of high-profile premieres of the last two or three years are at risk of losing in pathos if you suddenly accidentally get on the series “Parents”.
In it, mom (Maria Poroshina) and dad (Alexander Samoylenko) raise children, and then a grandson (the series has been on the air for far from the first season), and this process is associated with a lot of funny and ridiculous situations. From the first minutes it is clear: there is nothing special here, which, however, does not prevent you from obediently absorbing series after series.
In general, be careful with sitcoms, some of them definitely have a hypnotic effect.
Newspaper headline:
Kobzon instead of Eurovision
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