“Film is life stripped of the stains of boredom” – Weekend
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On June 16, 1960, “Psycho” was released – one of the most famous films of Alfred Hitchcock, from which it is customary to count the history of modern horror. We re-read Hitchcock’s interview and found out why he valued fear, what he himself was afraid of and why he scared the audience.
1
I am full of fears and try my best to avoid difficulties and complications of all kinds. I like everything around me to be transparent, like crystal, and absolutely calm.
2
When I take a bath, I meticulously arrange everything in its place. Go there after me, and you will not notice the traces of my presence. My passion for order is the other side of my aversion to complexity.
3
Our family was Catholic, and for England this in itself is something out of the ordinary. Probably, it was there, among the Jesuits, that a sense of fear developed in me – a moral order: the fear of being involved in something sinful.
4
I am the most timid and cowardly person you will ever meet. Every night I lock myself in my room, as if there is a madman on the other side of the door, ready to cut my throat.
5
I’m afraid of eggs. Even worse, they disgust me. This white round object is without any holes. Have you ever seen anything more disgusting than a pierced egg yolk and its spilling yellow liquid? The blood is cheerful, red. But egg yolk is yellow, disgusting.
6
I’m afraid of everything: robbers, policemen, crowds, darkness, Sundays… The fear of Sundays goes back to the time when I was a child and my parents put me to bed at six o’clock to go out to eat at a restaurant. I woke up at eight, my parents were not around, there was only a dim light and the silence of an empty house.
7
I am always terribly afraid of any financial issues.
8
I used to get scared to death by everything, but now I get my revenge by scaring other people. Must be because I’m English. The English show great imagination in their crimes. They have the funniest crimes in the world.
9
When I write a story and move on to crime, I happily think, “Wouldn’t it be great if he died like this?” And then, with even greater joy, I think: at that moment, people will start screaming.
10
Every time we work on a script, we figure out how funny the murder will be.
eleven
My goal is a beneficent shock. Civilization has unlearned us to respond directly to anything. The only way to remove the stiffness and restore moral balance is an artificial shock.
12
I can look at a carcass cut to pieces without batting an eyelid, but I can’t stand the sight of a dead bird. Too heartbreaking.
13
A mother, for example, loving a child, “scares” him with a “goat” and “terrifying” sounds “boo-boo-boo”, “brrr” … The child is scared, but he demands more and laughs.
14
The director must understand the psychology of the audience. He should also know that audiences love to enjoy that innate thing called fear. For some inexplicable reason, they like to touch the cold water of fear with the tip of their toe to find out what it feels like.
15
The theme of blaming the innocent inspires the viewer with a sense of danger. In addition, it is easier for him to identify himself with such a character than with a real criminal hiding from the chase.
16
If you press the audience with fearful expectation, you must defuse them: the bomb must be found and quickly thrown out the window, and it must explode there.
17
Psycho is my first foray into the horror genre. In other words, it had some episodes that are really scary. In a sense, it can be called a horror movie. But horror comes to you only after you have seen the movie. As you walk home in the dark.
18
Life is one big mystery, isn’t it? And it always has been. I think the mystery intrigues people, the promise of learning about things they know nothing about. That’s what secret means. And the film is a life from which the stains of boredom have been removed.
19
The psychiatrist will say that if you have a ingrained fear from childhood, you can go back and release it. But it’s not about me, I’m still afraid of the police.
20
My own films scare me. I never go to see them. I don’t know how people can stand watching my films.
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