Elena Lyadova and Maxim Lagashkin became the stars of an intimate comedy
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There is a very playful trend. Series about sex cease to be scandalous exotic and turn into a kind of mainstream. Sometimes it turns out quite fervently.
Happy End came out as an exemplary drama about the underside of the webcam industry. The recent Amore More was perceived as not the most talented, but still a comedy about promiscuity. The protagonists of the series “The Impersonal Life” became the stars of homemade porn, and this happened not out of a desire to have fun, but as a result of a combination of circumstances. It can be assumed that “An Impersonal Life” is so far the most successful statement on a piquant topic.
The average family from the Russian outback leads a very average lifestyle. She directs a choir in a recreation center, he is a worker, has a son, and also a typical set of problems for completely poor residents of a small town.
At the suggestion of their brother-in-law, the head of the family and his nephew find themselves in a representative car of a local criminal authority and the owner of a waste incineration plant (the brother-in-law hired a driver for the gangster), and the trip ends not in the best way. The car is in the river, the surviving passengers owe fifty million, which must be paid in a month. To earn absolutely unaffordable money, a smart nephew invites his uncle and his wife to shoot hot home videos and upload them to the Web. So a choirmaster in a spider-man mask and a simple hard worker with a helmet in the form of a robot head become actors in adult films.
Given that this is a comedy, such a plot could be an ideal refuge for indecent jokes and hackneyed clichés. But nothing of the sort happened. Obscenities here generally sound extremely rare, and even if someone says something like that, then this is more like old Russian melancholy than obscenity. “It’s better to change positions every three minutes,” remarks a nephew who acts as a director. “I could hold out for three minutes,” the father of the family sighs.
In the series, surprisingly, it happened with the actors. Elena Lyadova (wife) has recently regularly played ladies with an intense personal life, so she knows how to combine virtue and vice in one glance. Maxim Lagashkin (husband) has become one of the main comedic actors who knows how to make laugh with an absolutely serious face. Aleksey Serebryakov (criminal tycoon) is very convincing in his villainous image, and Lyubov Tolkalina (wife of the tycoon) seems to be created for the role of an inhabitant of a golden cage, who drowns her longing from such a life in a sparkling one and is also ready to break away like an adult.
In general, the series turned out not about sex, but about love, where voluptuous moans sound much less often than sad sighs. Hot sex here is not entertainment at all, but rather hard work and suffering, from which everything becomes even funnier.
Milokhin with a cart …
Mr. Milokhin, of course, has the courage bordering on recklessness – to slam the door in the midst of a prestigious ice show and leave all the big stars of the project, including his partner Evgenia Medvedeva, with faces twisted with confusion and anger. If it was a performance, then it worked.
The relationship between stars and big television will probably someday be the subject of serious study. Stars and TV cannot live without each other. More recently, it seemed that they could, but in the new realities, all the power of the Internet is crumbling before our eyes and the TV is again becoming attractive as a way to get your moments of fame.
A kind of paradox is that celebrities and TV producers hate each other fiercely. And there is a reason. Stars want to shine at the best time and it is desirable to get paid for it. Producers see themselves as all-powerful magicians who can glorify anyone, and they get very nervous when some celebrities send their riders and discuss royalties.
However, both the stars and the TV tycoons have already become hostages of this conveyor, so they are forced to endure. And of course, complain from time to time. To tight doll costumes, to creepy food in extreme shows, to bruises and sprains, to filming shifts that last twelve hours. Sometimes it seems that the stars in this situation have an advantage. They can finally come to an agreement with each other and put forward common trade union demands for the television industry.
The TV industry can probably answer too. For example, to abandon celebrities altogether and come up with other formats. There is, however, a suspicion that it is easier for local producers to agree and pay than to come up with something new.
Newspaper headline:
Russian folk porn
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