Augustin Trapenard makes a remarkable entry into “La Grande Librairie”
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FRANCE 5 – WEDNESDAY SEPTEMBER 7 AT 9:00 P.M. – MAGAZINE
One could say – and this would be correct, even if insufficient – that the bet is more than successful. That Augustin Trapenard was able, from the first, to invest “La Grande Librairie”, the literary program created by François Busnel; who, while remaining a producer, chose another time, that of films.
Also say that it suits him well, this midnight blue suit that he swapped for his jeans, T-shirts and caps left somewhere in the corridors of France Inter where, for eight years, he lit up our mornings with his “Boomerang “. To say that he is worried – even if he is used to cameras, first tamed on the set of the “Grand Journal”, before he invents “21cm” on Canal+then “Plumard” on BrutX. To say also that he shares with François Busnel a requirement and a certain love of literature, as well as an attachment to public service.
Moreover, on this Monday, September 5 in the morning, just a few hours before the recording of the program under live conditions, to which The world was able to attend, Augustin Trapenard will tell us: “To resume on the public service a prime time devoted to writers is a crazy chance. »
Very nice first board
A crazy chance for which, and as usual, he worked like crazy to compose a very beautiful first line-up. A set that could be described as in its image, that is to say all at once demanding, eclectic and inclusive. Alongside the powerful Virginie Despentes and her addictive epistolary novel (Dear asshole, published in August by Grasset), by Lola Lafon and her moving account of her night spent in Amsterdam at the Anne Frank Museum, which she truly (re)brings to life as an author (When you listen to this songat Stock), Laurent Gaudé and his dystopia (Dog 51Actes Sud) and Blandine Rinkel, with her Towards violence (Fayard).
Augustin Trapenard: “I believe in the possibility that literature has of reconciling us, of bringing us together, which is also the purpose of ‘La Grande Librairie'”
Plurality of genres, therefore, of texts and voices, of publishing houses too. And this while knowing that the literary season is “a school of frustration since, among all the novelties, choices will have to be made, says the journalist. I chose books that marked me and that raise questions as much about literature as about the world”. Books also that have it “consoled”, admits the one who knows how to let himself be moved: “I believe in the possibility that literature has of reconciling us, of bringing us together, which is also the purpose of ‘La Grande Librairie’. »
But now, precisely, it is time. And it is with “the beating heart” that Augustin Trapenard launches the show, seductive and benevolent smile. From the outset, he evokes Salman Rushdie – and this is particularly remarkable in view of the relative silence in the cultural world which followed the stabbing of the author of the satanic verses, on August 12 (see in our columns the chronicle of Michel Guerrin on this subject).
Interviewing skills
Then, and after introducing his guests, he takes time with each one. And there, the one who was crowned best interviewer in 2019 has lost none of his talent, always favoring questioning over judgment, for him too often synonymous with social violence: “The judgment says a lot about yourself, but not much about the person you are judging. » So he accompanies the words of the authors, makes their text heard which, in hypermnesia, he seems to know by heart.
Accustomed until then to face-to-face meetings, the journalist shows great skill in circulating the word, in making the resonances heard, the differences too
He who leaves nothing to chance knows how to provoke moments of seesaw, those where, possibly, the word stumbles, just as he knows how to think of surprises capable of arousing emotion in the artists he interviews as well as in those who are listening. Accustomed to face-to-face meetings until then, the journalist shows great skill in circulating the word, in making resonances and differences heard.
But the end of the recording is approaching. Augustin Trapenard relaxes and rediscovers his sense of irreverence and self-mockery. As the credits roll, laughter of relief is heard. And we are already grateful to François Busnel for having had the intelligence and the generosity to entrust him with his baby. The clock strikes 9 p.m.: it’s high time to turn on the TV again, before, of course, getting back to reading.
“La Grande Librairie”, presented by Augustin Trapenard, can be found every Wednesday at 9 p.m. on France 5.
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