Alice no longer lives – Weekend
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The Australian mystical thriller “Reincarnation. New chapter. The film by Daina Reid, in which Elisabeth Moss was supposed to play the main role, promised a lot at the production stage, but in the end we have to admit that almost its only intrigue lies in the Russian localization of the title.
Mia (Lily La Torre), the daughter of South Australian fertility doctor Sarah (Sarah Snook), is seven years old, and things started to get weird that morning. First, a cute white rabbit starts jumping around the yard, which obviously no one gave, and no one seems to have missed it from the neighbors. Then the girl asks if her grandmother Joan (Greta Scacchi), whom she allegedly misses terribly, although she has never seen, will come to the holiday (meanwhile, her grandmother is inexorably dragged into the abyss of dementia in a nursing home), and answers to reasonable mother’s bewilderment: “I always miss those whom I have not seen.” Further more. The birthday girl builds herself a creepy (yes, just creepy) rabbit mask out of cardboard, which would look devilishly appropriate both on Summerrail Island from The Wicker Man and on the streets of Xenia, Ohio, in Harmony Korin’s Gummo; begins to draw disturbing pictures, crying out about inner turmoil: “It seems to me that I am no more”; All of a sudden, her nose starts to bleed. To top it off, Mia demands to be called Alice from now on, and Sarah is no longer in the mood for jokes. That was the name of her sister, who disappeared at the same age of seven and whose existence, in theory, Mia should not have known at all. To try to figure out what’s what, Sarah and her daughter go to the house where she spent her childhood with Alice.
Since the beginning of the year, this is at least the fifth film about the relationship between mother and daughter on an otherworldly lining that has reached Russian distribution: in cinemas so far you can catch the American “Blood” by Brad Anderson, the Italian “Pantafa the Soul Eater” by Emanuele Scaringi, the Norwegian “The Left Behind” by Alex Harron and the Austrian “Delusion” by Ahmed Abdel-Salam. The last two films were renamed into, respectively, “Astral. Offspring” and “The Spell. The House of Darkness”, since for several years now our distributors have been firmly convinced that the Russian viewer’s feet will not be in the picture, the title of which will not contain a frontal (or, if you like, clumsy) reference to a big Hollywood horror franchise or just a famous horror film. And Daina Reid’s film is called “Run Rabbit Run” in the original, but it comes out as “Reincarnation: A New Chapter.” Since the release of Ari Aster’s classic “Reincarnation” (which itself is not “Reincarnation” in the original, but rather “Heredity”), we have released four horror films – Thai, Mexican, Filipino and Canadian – with this word in the Russian version of the title, but having nothing to do with the “original source”. With the original name, by the way, the situation is also non-trivial. It seems that if you undertake to shoot a movie in South Australia (the driest state on the Green Continent, where, nevertheless, half of all Australian wine is produced), then you have few options: in 2007 “Run Rabbit Run” was the title of a documentary about local politician Mike Rann, in 1984 the thriller “Run Chrissy Run” was released, and in 1981 – the children’s film “Run Rebecca Run”.
Alas, the rabbit leapfrog with names remains almost the most interesting in the New Chapter. Despite the fact that at first the project looked promising: the screenplay by Hannah Kent, according to the decision of the federal agency Screen Australia, was included in the register of “outstanding stories devoted to gender issues” (there is, it turns out, there is one), the premiere was scheduled (and took place as a result) at the Sundance festival, and the main role was going to be given to Elisabeth Moss, in the table of ranks of modern horror, occupying the place of the queen of “not a scream, but a sob” (“We”, “Shirley”, “Che Invisible Catcher”), especially since Reid had already dealt with her on the series The Handmaid’s Tale and The Shining Ones. But as a result, Moss dropped out of the project (seemingly due to a mismatch in filming schedules), and the role went to Sarah Snook, known to everyone without exception from the main TV series “The Heirs” today, and horror adepts from “Winchester” by the Spierig brothers. The actress is very good, in different emotional states reminiscent of either Kathy Bates or Svetlana Kryuchkova. But the reasons for the manifestation of these states do not seem really worthy. Nothing worse than bloody streams from a girl’s nostrils will never be shown on the screen, and behind the scenes, existential abysses do not seem to open up.
As for the white rabbit, it simply disappears from the story. You just have time to realize that Sarah’s sister’s name is not somehow, but Alice, and therefore, nothing prevents the trip from starting along the wonderful Carroll hole (especially since the image of the girl in the tunnel appears on the screen, and Mia at some point turns out to be exactly “out of her mind” … But it turns out that the disappearance of the long-eared rodent makes no more sense than its appearance. And he didn’t have any vest pocket.
In theaters from 27 July
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