Trapenardian questions, polite discussion… What is the new “Grande Librairie” worth?
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CRITICAL – The host of France Inter Augustin Trapenard took over the reins of the literary program of France 5, which follows a still quiet course.
The cap is missing. Armed with his philosophical and literary questions, Augustin Trapenard is a bit like the customs officer of the Republic of Letters. “Your relationship to time?», “Have you come to know why you were writing?His guests respond with good grace. After France Inter and Brut, the 40-year-old took up his post at “La Grande Librairie” on France 5. His “mentor, friend and producerFrançois Busnel was hiding behind the scenes. Not to blow him the partition, Trapenard does not need that, only to ensure the transfer of power.
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Seamless Transition
The voice of France Inter recalls having had complete freedom of maneuver, but is in line with its elder. The guests of this first meeting are called Virginie Despentes, Laurent Gaudé, Lola Lafon, Blandine Rinkel. After an editorial extolling, as one might expect, the virtues of reading (“the luck of the nuance», «the chance to take the time in the face of urgency“), the interviewer asks them if writing does not amount to “reconcile“. With ? “oneself” Where “others“, a choice.
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For Blandine Rinkel, it is above all a question of borrowing “a path of honesty, saying what we can’t say to our loved ones“. The casting choice works. Augustin Trapenard swings the talk from one to the other, with enthusiastic energy. Lola Lafon adds this remark: “The book reconciles us with the feeling of wandering”. Slopes: “If you open a book, it’s because you accept to be transformed”. The same evokes this violence that she balances in her books rather than in the faces of her fellow citizens. Slight impression, all the same, of being in a meeting of anonymous writers…
Blandine Rinkel and Laurent Gaudé are interested in the animality, even the savagery, which lies dormant in us. That we often leave in an artificial sleep. “See, for example, I didn’t dare to bend my leg like this…says Rinkel, of her posture on the couch. Burst of activity on this polished plateau despite the presence of anarcho-feminists. We dream of disturbing elements in the following issues. Augustin Trapenard, he never hid it, sails on benevolence. No contradiction. But wouldn’t she be interesting with such well-made heads?
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happy idea, Laura Calamy reads a disillusioned excerpt from Virginie Despentes’ latest book. Pulls on the sensitive cord. The novelist is over the moon. Acting, she says, inspires her to “tenderness“. Blandine Rinkel, too, likes to go on stage. Trapenard has a knack for finding conductive threads. The former normalien passed to the enemy (journalism) often branches off on a spoken word, which evokes a general theme for him. Why do we write?, he asks towards the end. Holy question. Marguerite Duras confided to Bernard Pivot that she had not found an answer. “If we were better at speaking, maybe we wouldn’t write a book?”proposes Virginie Despentes laughing.
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