Eva Aeppli, an artist of silk and shadows against war

Eva Aeppli, an artist of silk and shadows against war

[ad_1]

The Table and its 13 figures with dangling arms around a strict wooden table (1965-1967) is the great work of Eva Aeppli. © ADAGP, Paris, 2022 Maurizio CATTELAN, Ghosts, 2021 Photo: Center Pompidou-Metz / Marc Domage / 2022 / Exhibition Le Musée sentimental d’Eva Aeppli

CRITICISM – The Center Pompidou-Metz is organizing the first retrospective in France of this Swiss artist who created a theater of powerful and magnificent characters.

Eva Aeppli (1925-2015) is an artist completely apart, a woman of silk and shadows that the Center Pompidou-Metz revives in an extraordinary way. His characters in long black or white togas. Its carved skulls as remnants of ancient Mycenae and the lesson of the planets. His mute drawings with the crown of thorns that breathe the stations of the cross.

Her dolls with the soft hands of fairies and the white, slender fingers of princesses, arranged in glass cases like relics. His dances of skeletons and skulls on the canvas, like the macabre dances on the lintel of the churches of the Middle Ages and in popular carnivals.

All this theater of life and death could a priori scare away those reluctant to an art that is too expressionist, to textile art long left to women, to raw art so close to the human soul. And yet, the exact opposite is happening. The sensitive path composed by curators Chiara Parisi and Anne Horvath for this first…

This article is for subscribers only. You have 85% left to discover.

Cultivating your freedom is cultivating your curiosity.

Keep reading your article for €0.99 for the first month

Already subscribed?
Login

[ad_2]

Source link